The hardest reviews to write are the ones for greatly anticipated movies that ultimately fall short of expectations. Such is the case with Yesterday, a film that, based on its premise and leading creative credits, should be one that delights from start to finish. Written by the wonderful Richard ...
Review: The Dead Don’t Die
Filmmaker Jim Jarmusch is nothing if not versatile, as can happen with a career that spans more than three decades. His early works helped shape a burgeoning independent film scene, while lately he's indulged in bigger budgets and bolder narratives; 2013's Only Lovers Left Alive is perhaps one ...
Review: The Last Black Man in San Francisco
The debut feature film from Joe Talbot (director) and Jimmie Fails (star), The Last Black Man in San Francisco is a labor of love in every sense of the word, a story these two childhood friends have been crafting for years. While it seems like acclaim and adoration have found them overnight (at ...
Review: Late Night
I didn't know it before seeing Late Night, but apparently jokes involving Doris Kearns Goodwin, the prolific and fascinating historian and author (Team of Rivals, The Bully Pulpit), are a sure-fire way to get me to love your movie. The joke is thrown in during an early encounter ...
Review: Pavarotti
Ron Howard is at a point in his career (and probably has been for some time) where he can essentially take on whatever projects he likes. He's long since earned the right to both helm massive blockbusters (most recently 2018's Solo: A Star Wars Story) and usher pet projects into the world on his own ...
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