Just a few blocks north of the heart of Times Square and next door to the massive Gershwin Theatre (capacity: 1,900) is a more intimate space, an 800-seat theater built for unique productions that immerse their audiences into the world created on stage eight times a week. The aptly named Circle in ...
Review: The Song of Names
The biggest problem with The Song of Names, in a film with many of them, is that it lacks a driving why behind any of the proceedings, anything to signal to an audience why on earth we should care about what’s unfolding on screen. Based on a novel by Norman Lebrecht, François Girard ...
Review: Color Out of Space
If all you seek out of your movie-going experiences is a freaky technicolor narrative that features Nicolas Cage going full-tilt unhinged along the way, allow me to direct you toward Color Out of Space, the latest from eclectic writer/director Richard Stanley based on a story by H.P. Lovecraft. A ...
Review: Troop Zero
Jim Gaffigan has no fewer than nine credits to his name for 2019, from the beautifully rendered Light From Light to a voice role in Playmobil: The Movie, one of the year’s biggest flops. Somewhere in between is Troop Zero, a direct-to-Amazon Prime feature film about a young girl named Christmas ...
Review: Les Misérables
Though Victor Hugo’s classic novel—and its themes of the haves and have-nots, challenging a corrupt authority and the oppression of poverty—factor into Ladj Ly’s Les Misérables, the film is not another remake of the story of Jean Val Jean, Inspector Javert and company. Instead, the debut feature ...
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