The debut feature film from Joe Talbot (director) and Jimmie Fails (star), The Last Black Man in San Francisco is a labor of love in every sense of the word, a story these two childhood friends have been crafting for years. While it seems like acclaim and adoration have found them overnight (at ...
Review: Late Night
I didn't know it before seeing Late Night, but apparently jokes involving Doris Kearns Goodwin, the prolific and fascinating historian and author (Team of Rivals, The Bully Pulpit), are a sure-fire way to get me to love your movie. The joke is thrown in during an early encounter ...
Review: Ma
Producer Jason Blum and his filmmaking shingle Blumhouse have made a name for themselves in the horror movie space by consistently delivering scares to grateful audiences and box office returns to grateful investors. The formula is simple: keep the budget low and the action high; a solid script and ...
Review: Non-Fiction
With popcorn buttered and perfect seats secured at the movie theater this weekend, you might want to buckle in before the previews end and Olivier Assayas's latest, Non-Fiction, begins. Because once it does, you're in for a non-stop, sharp-witted, word-heavy treat that will keep you engaged ...
Review: The Biggest Little Farm
In a world where success can seem like it’s one well-received Instagram post away, being reminded of the thankless hours, the countless fails and the unrelenting hard work it is to build something from nothing is quite a wake-up call. John Chester, director of The Biggest Little Farm, and his ...
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